If you recall, dear readers, I did a review of Wicked Witches back in December. Shortly after posting the review, I was lucky enough to get a chance to talk with anthology editors Scott Goudsward and Daniel Keohane about the challenges of putting together a book with so many moving parts.
- What initially inspired the creation of the NEHWP (New England Horror Writers Press) and the original writers’ group?
Scott Goudsward: The NEHW was originally a regional chapter of the HWA (Horror Writers Association). We formed up in 2001 and when the HWA decided they didn’t want regional chapters, we struck out and didn’t dissolve like some of the other chapters.
When we think of witches—at least here in the States—we most often think of hags with
warts, long noses, and quite the menacing laugh. Wicked Witches explored those tropes and pushed past them, which is something I absolutely adore in a good anthology.
Instead of using the same tired old cliches in these stories, the authors provided a wide variety of perspectives and approaches to witches. In “Access Violation” by Jeremy Flagg, we get witchcraft as a form of hacking. In “Tilberian Holiday” by Izzy Lee, we get a woman who has suffered extreme loss, but a strange hope comes from an even stranger place. And to top it all off, in “Moving House” by Rob Smales you get the story of an iconic witch in a modern neighborhood. There are some very talented writers in this group, and it shows. I also noticed—and thoroughly enjoyed—a theme of witchcraft as a tool to help downtrodden women.